- Year
- 2010
- When
- April 2010
- Type
- Musical
- Photographs
- 30 in the gallery
Synopsis
The story begins as Frederic, a young man with an unswerving sense of duty, is about to reach his 21st birthday and conclude his long apprenticeship to the infamous Pirates of Penzance. His good hearted but hard of hearing nursemaid Ruth reveals that she has made a most disastrous mistake. When Frederic was just a boy she misunderstood her employer's directive and apprenticed him to a pirate instead of a pilot, as intended. Frederic tells the Pirate King (a dashing figure who never preys on orphans since he himself has had the misfortune to be one) that his freedom will be devoted to exterminating all pirates and that it would be better for the pirates to leave before midnight when his indentures are over. The pirates depart immediately and Frederic is left alone with Ruth, the only woman he has seen in years. Ruth pleads with Frederic to take her with him, but her case is lost when a bevy of very young, attractive women appear. Frederic appeals to the girls to overlook his pirate apparel and his past profession, but no one will listen until the beautiful Mabel appears. Frederic and Mabel fall in love instantly. The pirates return and Mabel warns them that their actions will not go unpunished since her father, the guardian of all of these young ladies, holds the exalted rank of Major-General. The Major-General is forced to pretend that he is also an orphan in order to win their sympathy. Although he fools the Pirate King, the Major-General cannot rest easy with his troubled conscience. Meanwhile, Frederic is launching an attack on the pirates with the cowardly assistance of the police. But Ruth and the Pirate King interrupt him with a most ingenious paradox: Frederic was born in leap year on the 29th of February and, in terms of actual birthdays, is only 5 instead of 21. Frederic, slave of duty that he is, rejoins his former associates, and the police are left to attack the pirates on their own. The pirates seize the Major-General and the police are quickly defeated. But the Sergeant of Police charges them to yield in Queen Victoria's name and the pirates cannot resist this overpowering appeal. Ruth then reveals that the pirates are actually noblemen who have gone wrong. Mabel and Frederic are happily united forever with the unqualified blessings of the Major-General.
From the company’s records
Words by W S Gilbert, music by Sir Arthur Sullivan, adapted and updated by Simon Gallaher under licence from Stagescripts Ltd.
Andy Poulton's first production as Producer/Director for the company.
The show was put forward for the Best Production award for the Wolverhampton and South Staffordshire region of NODA West Midlands.
The archive does not record the venue for this production.
Who made it
Production team
- Producer/Director
- Andy Poulton
- Musical Director
- Mike Cotton
- Choreographer
- Laura Canadine
- Choreographer
- Meg Dowen
Cast
- The Pirate King
- Alf Rai
- Samuel
- Matthew Cotton
- Frederic
- Rob Dixon
- Ruth
- Colette Edwards
- Major-General Stanley
- John Wiley
- Mabel
- Charlotte Wood
- Edith
- Mary Mark
- Isabel
- Claudia Gilmour
- Kate
- Sam King
- The Sergeant
- Mark Friedl
- Daughters of the Major-General
- Charlotte Poulton, Megan Rai and Grace Bradshaw
Everybody else
The rest of the names the company’s records carry for this production, on stage and off it.
Pirates, police and chorus21
John Arnold, Arthur Bate, Kay Corbett, Chris Dowen, Phillip Field, Sam Gorman, Angela Holmes, Emily Holmes, Colin Hunt, Barbara King, Rob Lehmann, Jamie Mark, Beth North, Abbie Rai, Jenni Rullan, Anthea Smith, Emily Smith, Katie Smith, Grace Taylor, Kelly Turner, Lisa Turner
Non-acting members24
Brenda Arnold, Peter Arnold, Emma Bond, Dorothy Copson, Terry Corbett, Val Goodfellow, Jill Hodgkins, Sidney Hodgkins, Christine Hunt, Trevor Law, Alan Merrick, Betty Merrick, Alan Pooler, Andy Poulton, Tamason Poulton, Pat Small, Bryan Smith, Eileen Southall, Chris Spittle, Ann Stokes, Roger Stokes, Luke Swatman, Brian White, Wendy White
Were you in it?
We would like to know more about Pirates of Penzance.
The record for this production is thinner than the show deserves. If you were in it, or you were in the audience, you may have something the archive does not.
Programmes, photographs, cuttings from the local paper, a cast list in somebody’s handwriting: all of it helps, and we will add it here.
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