- Year
- 2016
- When
- April 2016
- Venue
- Dormston Mill Theatre, Sedgley
- Type
- Musical
- Book & Lyrics
- L. Arthur Rose, Douglas Furber
- Music
- Noel Gay
- Book revised by
- Stephen Fry
- Contributions to revisions
- Mike Ockrent
- Photographs
- 308 in the gallery
Synopsis
Bill Snibson, a Lambeth costermonger, is revealed to be the new Earl of Hareford and his newly discovered aristocratic relations are horrified. Bringing him to Hareford Hall, they attempt to educate Bill into the ways of the gentry and to separate him from his cockney girlfriend Sally. The result is chaos of the most comical kind. With a host of hilarious characters, witty one liners and several toe tapping, uplifting songs including the famous Lambeth Walk, The Sun Has Got His Hat On and Leaning On A Lamp Post, Me and My Girl is a sublime and sunny treat for all fans of musical comedy.
From the company’s records
Tuesday 12 April to Saturday 16 April 2016.
Tickets were 15.00 GBP for adults and OAPs, 8.00 GBP for students.
The company's second production of Me and My Girl, after 2005.
Who made it
Production team
- Producer / Director
- Alf Rai
- Choreographer
- Lindsey Grant
- Musical Director
- Phil James
- Lighting Director
- Alec Corbett
- Sound Engineer
- Black Country Audio
- Stage Manager
- Sue Dorward
- Props
- Nikki Rai
- Props
- Julie Dean
- Props
- Barbara King
- Costumes
- Stageworld, Wolverhampton
- Scenery
- Albemarle, Shropshire
- Wardrobe Mistress
- Laura Leo
- Programme Design
- Daniel Haddon
- Ticket Secretary
- Chris Spittle
- Front of House Manager
- Colin Hunt
- Photography
- Chris Wolverson
- Photography
- Richard Probert
Cast
- Bill Snibson
- Will Phipps
- Sally Smith
- Rosie Harper
- Lady Jacqueline Carstone
- Rachel Coleman
- Gerald Bolingbroke
- Daniel Haddon
- Maria, Duchess of Dene
- Jenni Rullán
- Sir John Tremayne
- Roger Stokes
- Cedric Parchester
- Alf Rai
- Lord Jasper Tring
- John Arnold
- Charles the Butler
- Matt Cullis
- Lord Battersby
- John Wiley
- Lady Battersby
- Kelly Ashman
- Bob Barking
- Matt Wirtz
- Mrs Brown
- Carol Burgess
- Mrs Worthington-Worthington
- Carol Burgess
- Lady Brighton
- Grace Bradshaw
- Miss Stainsley-Asherton
- Georgia Haycock
- Pearly King
- Matt Wirtz
- Pearly Queen
- Kimberley Smith
- Constable
- Philip Field
- Telegram Boy
- Zak Douglas
- Suit of Armour
- Kevin Bruerton
Everybody else
The rest of the names the company’s records carry for this production, on stage and off it.
Chorus and company27
Laura Leo, Lizzie Corbett, Helen Stone, Abbie Sellick, Jessica Goodwin, Felicity North, Zak Douglas, James Totney, Megan Rai, Kay Corbett, Philip Field, Grace Bradshaw, Beth Coleman, Adele Marshall, Emily Leadbeater, Elena Sofi, Phoebe Bruerton, Hannah Dean, Hannah Corbett, Charlotte Goode, Stephanie Marston, Megan Cooper, Megan Biddulph, Emily Lloyd-Hickman, Georgia Haycock, Kimberley Smith, Matt Wirtz
The running order
Every number, in the order the programme printed them.
Act one
Overture
A Weekend At Hareford
Guests, Servants, Family, Jacquie
Thinking Of No-one But Me
Gerald, Jacquie
The Family Solicitor
Parchester, Family
Me And My Girl
Bill, Sally
An English Gentleman
Charles, Staff
An English Gentleman (Reprise)
Staff
You Would If You Could
Jacquie, Bill
Hold My Hand
Bill, Sally
The Family Solicitor (Reprise)
Parchester
Once You Lose Your Heart
Sally
The Lambeth Walk
Bill, Sally, Family, Parchester, Staff, Pearly King and Queen, Cockneys, Aristocrats
Act two
The Sun Has Got His Hat On
Gerald, Jacquie, Guests, Staff
Take It On The Chin
Sally
Once You Lose Your Heart (Reprise)
Sally
Song Of Hareford
Duchess, Ancestors
The Family Solicitor (Reprise)
Parchester, Bill, Sir John
Love Makes The World Go Round
Bill, Sir John, Ancestors
Leaning On A Lampost
Bill
Love Makes The World Go Round (Reprise)
Me And My Girl (Reprise)
Bill, Sir John, Gerald, Sally, Duchess, Jacquie, Chorus
Photographs
See all 308 photographs from Me and My Girl
Were you in it?
We would like to know more about Me and My Girl.
The record for this production is thinner than the show deserves. If you were in it, or you were in the audience, you may have something the archive does not.
Programmes, photographs, cuttings from the local paper, a cast list in somebody’s handwriting: all of it helps, and we will add it here.
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